Here’s another way to think about fashion journalism, The Considered Ensemble by Andrew Kupresanin and Belinda Chen, displays the outfit selection of individuals around the world in a purely text based archive.
Think minimalist meets the Sartorialist. The contributors shares with us a description of what they’re wearing without images, leaving more to our imagination. Andrew Kupresanin says:
With the innumerable blogs competing with one another in showcasing the latest street fashion/fashionistas, we are bombarded with and consume so much imagery without getting past the surface. The Considered Ensemble is an alternative that hopes to fill some gaps.
Each submission is a personal expression from an individual, whether its the personality they inject into their writing style, or the stories behind a special item of clothing. It is a platform where visitors can gain a deeper insight into the thought process and meaning behind each individuals’ outfit, and take time to use their imagination.
A picture may say more than a thousand words, but words leave something to the imagination.
The Yoshida Brothers play Kodo. Rock on the traditional Shamisen. Awesome and powerful.
“I don’t use apps to get focused. Playing around with productivity apps is just another way to procrastinate. You become more productive by getting into the habit of doing actual work regularly, not by constantly thinking about how you can get more work done.”
- How Software Engineers and Designers Can Increase Their Focus
What People Don’t Know, They Imagine:
Knowing which way you flip a card is like knowing which shoe you put on first in the morning. You might think you remember, but chances are you don’t. And what you don’t know, you just imagine. I’m left-handed, so I tie my left shoe first. Right. The answers seem plausible, but it’s bad science. People can’t even tell you their height and weight without getting it wrong, let alone describe obscure, subconscious behaviors. So it’s best to ignore the survey responses and go straight to the observations.
“Like most Linux-based mobile platforms, Android is not entirely open source. The core operating system consists of the GPL-licensed Linux kernel and an Apache-licensed middleware and userspace stack. Several key components at the higher levels of the platform—particularly the Android market and several other pieces of Google-branded software—are proprietary. Device makers that want to use include those components on their products have to commercially license the software from Google.” Ryan Paul, Android’s ascent in China might not elevate Google (via David Chartier) This sort of thing is what makes me so uneasy about trusting Google with anything. It’s the same story: Google is “open” with the products that don’t make them money and closed with those that do, using “open” as a marketing buzzword against Apple and hoping nobody notices how incredibly closed and secretive most of their products and operations really are. iOS is far more “closed” than Android, but at least Apple doesn’t try to bullshit me about it. They put it right out there. “We control everything because we think it’s better that way. If you don’t like it, there’s the door.” And since they’re honest with me, I trust them more. (via marco)
-
Green messages…yada yada yada. “Use less soap, save the planet.” Now we’re really talking green. There is something about a “just-add-water” cleaning solution that appeals to my green-minded conscience. Although I remain a city girl at heart.
People Planet, a Canadian manufacturer of green cleaning products, has a winning formula for iQ, a household cleaner. The major ingredient of iQ is water. It comes in an abbreviated package; a spray bottle which you fill with tap water to dilute the cleaning product, a plant-based concentrate delivered in cartridges. After running out of detergent, just replace the cartridge and refill the original spray bottle with water.
Add a little bit of water to your all-purpose cleaner and voilá—the “keep things simplest” vibe is in effect.

via Simple Desktops
Cute. Simple Desktops is a great source for more stuff like this too. Check it out.
As part of the New Simplicity Exhibition in London, ‘Climate Station‘ – designed by Denmark-based Thomas Wagner – is a product line composed of a minimalistic fan and radiator.
The interesting aspect about Climate Station is that it uses no wires. It plugs directly into a special extension cable, and can be stored alongside books when not in use. The designer, aware of the seasonal usage of fans and radiators, wanted to design objects that would be attractive anywhere, anytime.
Made of plastic and aluminum, the fan and radiator measure 297mm in height and 210mm in width. Unobtrusive and aesthetically pleasing, Climate Station serves to comfort the user while looking real fine.
What’s New in Microsoft Office for Mac 2011 [VIDEO]:
Still not what we believe in.
Related Update: Here’s a fun search. Especially for the new visitors.
Tomas Bartko - Icon and web design:
Some very nice desktop pictures here. (via Prettify)
Fruit bowl Hug must be one of the most minimalist concepts I have seen in a while. It has reduced the fruit bowl to its most basic fuction: holding the fruit in its place.
The bottomless Hug was designed by Elizabeth Cordes when she worked as a product designer at DESU Design. Cordes left DESU a while back and is currently self-employed.
There is just one problem though: how should I move my fruit?
How-To: Give Your Old iPhone New Life With Prepaid Data and Minutes:
Somewhat fiddley but interesting way to use last years model.
I talked a bit about this when I appeared on The Bro Show last week, but I believe that this is the “next big thing” after the “next big thing”. I have been watching this every few days since the first time I saw it. I catch something even more “holy crap” each time.

You may have heard already but, along with some new iMacs (Win), Mac Pros (Big Win), 27inch Cinema Display (Lickable), Apple released a brand new product – The Magic Trackpad.
Now, there are those who are trackpad people, those who can’t stand them, and a few in-betweeners who are comfortable with either. I’m one of the later. I even have a use case for one – My media center is an iMac and, due to its station on a shelf, there is just not enough travel room for a mouse. I currently have a Kensington Orbit Trackball attached to it and, while it does the job, it sure is not as sexy or, well, magic. But these details are not the story from my perspective.
Let’s do some theorizing on that magic for a bit. You may see a revolutionary mouse and trackpad. I see something far larger and more subversive…
Apple is rewiring our brains for touch.
Just like with the iPhone and iPad, Apple is steadfastly reinforcing the idea that touch is the way we interact with our computers. The Magic Mouse and Magic Trackpad are just one more step in that direction. In fact, I would not be surprised if, before we ever see a touch based iMac, we see a keyboard without keys. A completely touch aware input experience in order to prepare the masses for the “next big thing”. That big thing is input devices as we have come to know them going away for good.
So, this begs the question, “Why not just make a giant desk sized iPad type iMac now?” Here is the answer: It is a minor adjustment to behavior and learning to make such moves with a brand new device, because the general public will see it as “new device, new input”. It is much more difficult to take something that has followed only one input method (keyboard and mouse) for twenty years and suddenly thrust something this new upon them. Revolutions generally start with a few new ideas that pick up steam and grow larger as they roll down the hill. The Magic Trackpad is the visual representation of the revolution to come.
These wall sculptures by Icelandic artist Thor Vigfusson are terrific. He works with mirrors, plastic and glass in a formalist fashion with mainly subdued (but also sometimes bright) colour palettes. Reflectivity and light play an important role in the way they capture and represent the space in which they are installed.
i8 (a gallery in Iceland where Thor has exhibited) said this of his work:
Deceptively simple, his pieces are constantly changing and engage the viewer in intimate contemplation.
I couldn’t agree more.